Thursday, April 15, 2004

Just a note

Hi all! Just a note to let you know that I've added some pictures to the galleries. Please note that I've given the dogs their own gallery. Their volume of pictures has grown to fill more than a screen on my monitor. Look for additions to the LKH Misc. gallery in the next few days. I'll be adding shots from the St. Louis Botanical Gardens' Annual Orchid Show. That's all for now.
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Posted by Jonathon on 04/15 at 08:04 AM

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Tuesday, April 06, 2004

Hey, guys.

Hey, guys. We got some e-mails from people who thought my last blog entry was a little depressed. I didn't think so, but hey, reading back over it, it does seem a little down. Thanks to everyone who wrote in to tell me to buck up. I finally realized that I'm trying to treat the books the same way I treated them when six hundred pages was a really, really long book. Now most books average around seven hundred plus pages. INCUBUS DREAMS is going to be over a thousand pages. I'd make it shorter if I could, but the book has to be as long as you need to finish the themes, plot, whatever of the book. But back in the day when books were four hundred pages, five at the outside was when I finalized how I write. My schedule, my habits, etc . . . I'd been wondering why the last few books I couldn't find one single album to get me through the entire book. The answer is simple. I like to listen to the same music over and over, so that when I hear that album it puts me in the mood to write that book. There are still some songs that evoke certain books or characters for me. I can't listen to the music without thinking of the writing. I can listen to the same album for five hundred pages, then somewhere between five and six hundred, I get tired of the album. I just simply want different music. When I next sit down to write a book, I will know that if the book is going to be six hundred pages or more, that I simply need to plan for two different albums. Either switch them back and forth early on, or be prepared with a back-up album when I get to the last third of the book. See, perfectly logically, once you think about it. I also used to immerse myself into my books. I would write and write, and barely eat, or sleep. I threw myself into my make-believe-universe like jumping off a cliff, trusting my words to catch me. That works great when it's a four hundred page book. It's even doable at five, but you get much over that and you just can't disappear from the rest of your life for so long. Especially with children, and a spouse, and dogs, and friends, and hell, just everyday life. Your life doesn't run itself. So this total immersion technique that worked great for the first four books or, so. (There was some problems with it when my daughter was born and I went back to work when she was three months old. Babies take up an amazing about of time and energy.) But I stubbornly tried to keep writing as if I was still childless. I gave that up. Impossible. Babies change everything about your life. You're still you, but your time is not really your own. Not for a very long time. But when I do write, when the kiddo is in school, or my lovely husband is doing child duty, I still try for the immersion technique. But now the books are seven hundred pages, eight hundred pages, nine, a thousand. I simply can't immerse myself into a book for that long, and neglect everything else. It just isn't doable. Even I don't write that fast. But because I was still opearting as if the books were half this long, I was mentally beating myself up. Thoughts like, I used to be able to work like this. What's wrong with me? Why can't I do this the way I've always done it? The answer, is so obvious, but only if you notice it. I've in effect been trying to do the equivelent of three to four of my old books in a year's time. No wonder I can't do it. Who could? As the books have doubled, or more, in length, I've cut myself no slack in my schedule. I've treated the idea that I want to write two books a year, as gospel. When I set this goal the books were around four hundred pages, close to five, a piece. Eight hundred pages a year is doable for me. Even a thousand pages is doable with effort. But what I've been trying to ask of myself is between sixteen hundred and two thousand pages a year. That is not doable. That is like insane. It also explains why I get tired of a book before a book is finished. I always am tired by the time I finish, no matter what book it is. I always like getting to the end. But the last several books I've gotten tired sooner. I've had this niggling feeling that the book should be done, and it's not. It's like only three quarters done, but my body, my mind, my habits, tell me we should be done. Because I developed all these habits, trained myself to write a book about half to three-quarters the length of what I'm writing now. I'd been thinking I was doing something wrong, but it's simply that I hadn't made room in my schedule for the growth. It would be like trying to treat your child like they're still in elementery school when they're about to graduate high school. All the strategies that worked when they were little, just don't work now that they're eighteen. I've been putting off vacations; trips to the zoo; you name it, it's all on hold. Because I have to finish to the book first. No, I've decided, no I don't. I will continue to work on a regular schedule, and I still turn out more pages per day than most writers do. I am blessed in that way. But I have to find a way to write that reflects the length and complexity of the books now. I have to figure out what of my engrained work habits I can change, and what I can't. Extra music, and probably go back to a page count that is smaller than my usually, so I pace myself better. I keep hitting days of twenty page plus, and that would be great if the book was actually that close to the end, but it isn't. I have almost two hundred pages still to go. I broke it down yesterday to a chapter by chapter outline, and that's about where we're at. Now would be the time to go into the tweny page a day run, but I did it too early. Like running a marathon and doing the last kick too far away from the finish line. You make it across, but you make it across slower. Now that I've had my revalation about why things aren't working as smoothly with the writing as they once did, I can fix it. I can try to rework how I work, but until I realized the false logic, or maybe outdated logic, I was working on, I didn't know what was wrong. It's an old saying, but a true one; don't work harder, work smarter. Which is what I will be trying to do from now on. Bye for now.
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Posted by LKH on 04/06 at 12:00 PM

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Its mid morning here

Its mid morning here and I haven't really written anything of note in the blog for a while, so I thought I'd write something. As Darla said yesterday, SbM is #11 on the NY Times list, and that is soo cool. I can't really articulate how cool, as I'm still in shock that it is back on the list. I've been taking some time of late to re-acquaint myself with one of my most favorite hobbies. Miniature Gaming. I love to put together and paint miniatures. It brings me a bit of peace in my hectic schedule and everyone here thinks I do a wonderful job of it. Maybe I'll put up a picture or two of my stuff and let you decide. But don't tell me, I like to keep my illusions intact. grin
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Posted by Jonathon on 04/06 at 07:29 AM

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Monday, April 05, 2004

For the sixth week

For the sixth week, Seduced By Moonlight is on the NY Time Bestseller List! #11! Happy dances abound!
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Posted by Administrator on 04/05 at 01:50 PM

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Saturday, April 03, 2004

It’s me.

It's me. Sat up late and finished a scene that I'd had to leave blank. A scene that I had not the heart or patience for weeks ago. I just typed, scene here, and moved the fuck on. Last night I had to finally finish it. It was a great scene. Fun, exciting, sexy, but it was still hard, because anything with Richard and Anita, and Jean-Claude is hard. It's their dynamics, I guess. I was pumped after the scene, and if it could have been the end of the book, I'd be exstacitic this morning, but it's not. Last night I chose music for the scene. TYPE O NEGATIVE "Black Number 1". on continuous play. If you're familiar with the song then it gives you some idea of the scene. This morning I've skipped back to where I left the rest of the book, over two hundred pages ahead. I'm at page 920, and not done. I was in such a good mood last night. The scene really worked. This morning I woke in a deep blue funk, so tired, emotionally drained. For me it's been being sick with one of those icky viruses for two weeks. Only kicked it's ass yesterday. For Anita, we're finally seeing her pay the price on stage for no longer believing that vampires are monsters. If vampires are people, living beings, then what does it do to you as a person to be killing them on a regular basis? She's murdering people. Yeah, they started it. They killed other people, but sometimes they aren't fighting back. Sometimes, the bad guys beg for their lives, and she still has to pull the trigger. It's been ugly. So through very different avenues Anita and I come to this place in the book, both emotional drained, so tired. Maybe I'm like one of those method actors, and I adopt some of what my character is doing, or expereincing, because my courage has faltered several times this book. I know what's coming and I don't want to put Anita through it. I don't want to see it, or do it, and I don't see a way to avoid it. We're back to having Olaf and Edward on stage, however briefly. We'll need the back-up and that says more than anything else what kind of end we have for this book. How much violence can you see before you break? I'm beginning to daydream about a cozy mystery world where no one dies violently, and it's always tea time. Anita needs a real vacation, and so do I. But I think that she, like me, is incapable of having an innocent vacation. I can't go anywhere without getting a new book idea for her, and it would be her luck that she'd be out jogging, or something and find a body. I can hear her now in my head, yelling, "What is this karma? I'm on fucking vacation." She'd be so wicked pissed to have a crime dumped on her lap if she actually left town and tried to do something normal. You know, go to the seashore, look for shells, jog along the shore. Sounds good, doesn't it, but even if I went, I would be gazing off to sea thinking of monsters. I've got an interview question waiting it's turn in the cue of interviews. The question is why violence? Why write about such violent themes? Why write about scary stuff? The answer, simply, is that I can't help myself. It's how I think. Give me an idyllic scene with daffodils and bunnies, and there'd be a severed hand in among the flowers. Or maybe, better yet, a partially decomposing hand, that one of the dogs dug up. Naw, we've seen too many dogs digging up stuff in mysteries. It happens in real life, but fiction should try to be fresh, if you can do it. One of the hardest things about writing a series if your detective is a civillian is finding exscuses for bodies to keep turning up. It's so much easier with a main character that gets to be a professional cop or detective. One of the reasons that Anita is a professional, rather than a civvie, is that I read mystery series, and decided I'd rather have a reason for my main person to keep being called into crime scenes. Strangely, I'm feeling better. Yeah, I'm tired. Yes, the book is the longest yet, and that's playing hell with my deadlines, but what I wrote is true. I write what I think about, what ocurrs to me, and that is some pretty dark shit. I'll leave you here. Keep the light on, watch your back, and remember that noise . . . It's nothing.
Posted by LKH on 04/03 at 09:13 AM

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Monday, March 29, 2004

Doh!

Doh! I apparently mis-spoke last week when I said that the book had had a good run. It seems that the book isn't done yet. The New York Times Best Seller List Came out yesteray and Seduced by Moonlight was #12. So this makes it six weeks in the top 20, four in the top 10, five in the top 15. Lets keep it rolling!
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Posted by Jonathon on 03/29 at 07:19 AM

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Thursday, March 25, 2004

Hey everyone.

Hey everyone. I'm just going to drop a quick note about last night's Wolf Howl. One word : Amazing. The reading was amazing, the talking around the campfire was amazing, and the wolves.... Oh, the wolves were freaking amazing! I said it last night, before Laurell started signing books. "Hearing the wolves howl is the reason we chose the Wild Canid Research and Survival Center as one of our charities. I want my daughter and her children and their children to have the opportunity to experience what we did tonight." If you were there, you know what I mean. If you missed it... We may be doing another one again in the fall. Got to run and get breakfast,
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Posted by Jonathon on 03/25 at 06:16 AM

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