Tuesday, February 28

Micah

Finally, MICAH is on the shelves. The first of the novel-lites. Anita out of town with just one of the men in her life instead of a flock of them. The mystery in the forefront instead of intermingled with the romance. Anita working with the F. B. I. again, raising the dead again. I hadn't realized how long it had been since Anita got to do just police work, just zombie raising, without vampire, or shapeshifter politics getting in the way. It was nice. It was sort of relaxing. I'm looking foreword to doing more of them. I have ideas for Richard and Nathaniel, respectively. I'd love to come up with one for Jean-Claude, and or, Asher, but so far nothing has come to mind that would sustain even a short book. More interludes than plot, and an interlude is not enough to hang a book on. No matter how fun it might be. We get to hear about Micah's background in this book. His family. How he became a wereleopard. Stuff that I knew, in part in my head, but it had never made it onto paper. Now it has.

I'm almost completely ready for tonight's premiere signing. Jon and I will dress up for this one, as we always do for the first signing of every book, but in Oklahoma and Texas you'll be seeing dressy causal. I couldn't possible do the high heels for more than a night at a time. And the dress up clothes take up sooo much room in a suitcase. Well, time to grab dinner before we have to finish getting ready. See everybody at the signing tonight.

Monday, February 27

Nerves

Well, tomorrow is it. MICAH will be officially released. I'm my usual mix of nerves and excitement. I asked Jon, what else should I say? His contribution, "AAAHHH!" He takes the brunt of getting me through my nerves, so he's entitled. If all I had to do was the local opening, then fine, but it's that whole flying places and getting into strange cars, in unfamiliar cities. We love seeing all the fans. We do, but I wish I was a better traveler. I've got books to read on the planes. We'll be back on Friday for God's sake, but I think Jon and I won't believe we're actually coming back so quickly until we get back. I've given up on getting Merry done before we go, so not happening. And maybe it's just as well, I stand at a cross roads for the climax of the book, and am not sure which road to take. The end is the same, but what shape we're in when we get there, well, that's a different story. Jon and I are off to bed. We'll see some of you tomorrow at the signing.

REPOST: [Daily Illuminator] Octavia Butler

I don't normally forward stuff, but I thought this should get wider play.

see also: Google News

Jon

----- Original Message -----
From: webmaster@sjgames.com
To: illuminator@sjgames.com
Sent: Monday, February 27, 2006 12:00 AM
Subject: [Daily Illuminator] Octavia Butler


Science fiction author Octavia Butler died on Saturday, February 25, following an apparent stroke.

Winner of one Nebula and two Hugo awards, Butler is probably best known for the novella "Bloodchild" and the Xenogenesis series. She once introduced herself, "I'm a 53-year-old writer who can remember being a 10-year-old writer and who expects someday to be an 80-year-old writer." Tragically, she didn't make it.
-- Steve Jackson

Sunday, February 26

Home safe

I did it. Two plane trips in one day and no hysterics. Very good. I guess it's progress. We went to the Chicago Field Museum to see, primarily, the Pompeii exhibit. It was amazing, and touching, and scary occasionally. One of the casts of one of the dead, well, let's just say it was very difficult not to project pain and suffering in his death throes. Maybe it's the way they did the cast, or it was the heat that made his body and face look so twisted. I know that extreme heat can do that, but gazing down on him it was hard to not project. The exhibit is only there until sometime in March. Trinity is a huge fan of Pompeii, and archeology in general. She loves history, and especially history with some kind of macabre twist. I did not raise her on the ghost stories, or the stories of abuse that my grandmother raised me on. She has not suffered early loss and abandonment as I did. But she is still attracted to the strange and unusual. Not always, she's a very pink and frilly girl, but history is much more interesting if some sort of ghost story is attached. Pompeii is not literally full of ghosts, the exhibit at least, but it has that feel to it of being haunted. One of our goals is to do a family vacation to Pompeii in Italy. But that won't be this year, or probably next either.

Our taxi to the museum backed into another car, at a goodly clip. Reminding me that statistically it's more dangerous to drive than fly. But since I'm afraid of cars driven by strangers, especially in towns I don't know, it's okay, I was nervous anyway. Hey, that phobia is improved. I used to be afraid to ride in cars at all. My mother's death and the car accident she and I were involved in when I was a child probably have something to do with that. But since I drive almost every day it's gotten much less. I guess I just need to fly more often. Sigh.

On a more cheerful note, I loved looking at all the jewelry and the gold that people grabbed. They grabbed statues and jewelry with images of their deities on them, but either way, when they knew they were maybe dying, they grabbed their families and their valuables. I didn't find that shallow, or disappointing. I found it reassuring. It made them very much real people. They took things to help them start over in a new life elsewhere. It wasn't greed, it was purely practically. The gold and jewels would have helped them get food and shelter. It was a very hopeful thing to do. And no, I didn't find it depressing that their hope wasn't realized. Don't know why, but I didn't. I gazed down at the rings, some exquitestly carved, and felt hopeful. There was a snake bracelet carved in such detail that I think you could almost use the head scales to get the species. The bracelet weighed over a pound. Over a pound of gold shaped in a very life like snake. Lots of snake rings, but nothing as spectacular as that one bracelet.

I recommend the exhibit, it was amazing, but the crowds were almost equally amazing. Trinity and I both had trouble seeing some of the exhibits because of the crowd. We could lift Trinity up to see over everyone, but I was out of luck. It was like being caught in a shuffling mob. If you can manage I'd recommend trying a week day instead of a weekend. Call ahead for tickets instead of fighting the line once you get there. They have a permanent exhibit of Egyptian antiquities that is a favorite of Trin's, and ours. No ticket necessary for that one. Any way, safe and sound, and we all enjoyed it very much.

I am enjoying the day's first cup of tea with no one but me up. Luxury. Well, me and the dogs, who are milling about my feet as I write this. I think it's their subtle hint they need to go back out now that they've been fed.

Friday, February 24

Screw your courage to the sticking point, or something like that

My courage failed me today. Not a single page to my name. I'm reduced to making a long hand outline in my notebook. I will write down all the options and choices possible, then we will tiptoe through the minefield. Because that's what it feels like, a minefield. The way is narrow, and perilous. The potential for loosing characters is severe. I don't want to loose anybody. Part of me is wondering if just refusing to let anyone die is a betrayal of the plot and characters, or if the betrayal would be to let them die. Books ago I grew tired of death. I grew tired of plot choices where killing is the only plot solution. I think that's why the sex has gotten so much more play in the last books. I'd simply rather do something more live affirming than murder. Especially with Merry sex is often an option where in most books people would have to die. Is it really morally better to kill people to further a plot than to have sex with them? I don't think so. So to find myself at the end of a Merry book with death and destruction my only options, well, it's discouraging. I value these men. I don't want to loose any of them. They are all valuable to me, and to Merry, in different ways. Ways that go beyond plot or character growth. Merry and I both feel like we've had enough character growth for awhile. We'd like some simpler choices please.

Tomorrow my family are going on a mini-family vacation. A trip up and back in one day. We're taking Richard with us, so there's no one to take care of the dogs, so no overnight. Richard is making noises about moving back to Italy to be with his sweetie sometime this year. I don't know who we'll trust with all the things that Richard does here. This visit has sort of brought that into focus. You can board the two younger dogs, but Phouka is blind, and any change of setting is distressing to her, and Jimmy is just old. He'll be sixteen this year and if he goes off his special diet again, it could be the end of him, so the vet says. He's sooo pitiful when he begs for treats, and after what happened last time we boarded him, we just don't trust everyone that works at the doggie hotel to stand firm and not give into those eyes. It must be the beagle half of him, because pugs just don't beg for food quite that well. Anyway, off tomorrow to have fun, though in truth, the thought of two plane rides in one day scares the hell out of me. But I must get better at it, and so tomorrow I bite the bullet and pretend to be brave. Trinity has no idea that her mother is such a chicken shit about flying. I pretend good. But damn, some trips are harder than others. Normally I put on earphones, music, and work, and pretend I'm not on a plane. Trinity wants to talk, and talking about the plane and the trip makes it hard to pretend I'm in a very narrow bus. I'm to bed as we have to get up early tomorrow.

Thursday, February 23

Slogging homeward

Fifteen pages. A hard, slogging fifteen pages. It wasn't a muse driven rush, more a battle hard fought and hard won. But we are close. I'd say within three days of the end. Three work days. So tomorrow, but Saturday is a bust because we've planned a family outing. It'll be fun, just awkward timing. But Sunday and Monday before we open on Tuesday. There is a chance, a more than slim chance that I could, possibly, get this book finished before we leave for MICAH. Keep your fingers crossed.

Wednesday, February 22

Illusions

I've done thirteen pages today. Merry is closer to the end than I thought she was, but still a ways to go. Close enough that it gives me that illusion that if I just kept my butt in the chair and typed I could get done in a few days. Done before we leave for tour for MICAH. But it is illusion. I can do a rush of fifty pages in one session. I've done it before when the muse was hot, but fifty pages won't see it done. I've learned not to do a mammoth push unless I am able to make the push the finish line. If I push, do some marathon and am still a few marathons short of the finish, it just seems to tire me out and make it harder to sustain a day in, day out, page count. The marathon is attractive, but if it's not the last of the book, pushing that hard actually makes it take longer to finish. But I can feel the end of the book. I can feel it, as if my fingers were stretched through a hole, stretched as far and as hard as I could go, so the ligaments in my shoulder pop and strain and ache with the effort to reach. I can feel the brush of a cloak, cloth, cob web, something brushes my finger tips, then it's gone. I can't reach the end this way. Illusion, but oh, it is a tempting illusion. To be done. To be done before we have to break for tour. To be done before I have to do more and more interviews about Anita and the gang. To be done when Merry is loudest in my head and sweetly eager. By the time we get back from tour, even a short one, the book will be cold ashes in my hands. I will have to rebuild this heat, and oh, it takes so much more to rebuild a cold fire, then to keep a blaze going. So much momentum will be lost.

I used to use the analogy that writing a book was like trying to push a huge boulder up a snow covered hill. At first it looks impossible, then you try. You get a little way up, the boulder slide back down. You make some serious progress and you slip, and the boulder rolls over you, and back down the hill. There is a point in the book where you can feel the crest of the hill, and you know that if you just push hard enough you'll be over the hump. I always spend a long time just poised like that, almost over, but not. Then, one day you push hard and the boulder just goes over the edge. It rolls over the other side of the hill, and instead of pushing it, you chase it. You chase it, chase it, and run breathless, and panting, and struggling in the snow. Not struggling to keep it moving, but struggling to be fast enough, strong enough, to keep up with your boulder. That last glorious rush at the end of a book, as your boulder goes thundering down the hill, gathering snow as it rolls, so that it's bigger, thicker, more than you ever dreamed it would be. And all you have to do is chase it until it stops. I'm chasing my boulder as fast as I can, and it won't be fast enough. Tour will catch me before my boulder comes to rest, and when I return, it will be solidly, stuck. It will be wedged in, not finished, just stopped. I'll be like Archimedes, searching for a place to stand, and a lever long enough to move the world. Or that's how it's going to feel. Write faster, must write faster.

Tuesday, February 21

Photo shoots and adventures in make up

I didn't get a single page done today on either book. Had a photo shoot for St. Louis Magazine. It's part of an article they're doing on me. No, I don't know what issue the article will be coming out in. Darla may know, but she's long gone home for today. The photographer and make up artist were nice and very professional. They took pictures of me by this very cool gargoyle in the City museum. We took some fun ones, and some serious ones. We'll see what the magazine decides to use. But, by the time we got home it was about 3:30. Trinity was at scouts, so we had a little time. Since the chances of any work being done were slim, we bit the bullet and went to the make up counter. I've been having some issues with my make up. It's drying my skin out, and just isn't quite right. So we went to the mall, to a make up artist and brand that had been recommended to me, by someone, who like me, doesn't wear make up everyday. I figured if she liked it, maybe I would. Jon went with to hold my hand, and help me remember how to do everything. Turns out, I'll need the help, because I am certainly suffering from TMI (too much information). I always feel that way when I get new make up or girl stuff. Guns never seem to confuse me as much as make up.

Monday, February 20

Stuck

Stuck on Merry. My own fault. I took the weekend off. I know better when a book is close to the end. But tomorrow I will go to the new office and spread it all out on a table. I'll write long hand. I'm in the end game. I know where we're going and what we're doing with some plot variations. But it will take some long hand brain sweat to get it going again.

What did I do since I was like way stuck? I allowed myself to work some more on the next Anita book. The one after DANSE MACABRE. I've got about a hundred pages of it. I reread what I'd done up to that point. Made some minor changes and wrote about four more pages. It felt so good to write on it. So very good. This book is so ready to go. It's like trying to restrain a horse that wants to run. You can feel it quivering underneath you. Feel it's muscles straining. Feel it asking you to give it, it's head. To just let it run. I want to let it run. I want to slack the reins and let this horse go. I want to ride as fast as it can go, and feel the world rush by. But not yet, not yet. Have to hold the reins tight for a little longer. Almost done with Merry, alright, like a hundred to two hundred pages almost done. That's almost done for me, last third of the book.

Strangely, though, even though I let myself work on Anita. It seemed to knock something loose and I think I can work on Merry tomorrow. Good.

Thursday, February 16

The Dragon almost won

The dragon won yesterday. I ended up quitting work early and climbing into a hot bath to lick my wounds. Today was the first day, really, back to work since the great computer disaster. Yeah, we got the data back, but it will still live in infamy, at least for me. Today I got nine pages done. The most I've managed since we got everything back. Somewhere near the end of page nine the tornado sirens went off, and I totally panicked. I yelled for help, and Jon had to unplug my computer, because I was afraid to touch the damn thing. My phobia of tech has taken a major backslide since the drive failure. But we have the pages safe on the hard drive of this computer, and on two different portable drives. We've checked and it's there, so it's okay. No, that trembling in the pit of my stomach doesn't believe it, but I'm trying. We took the computer and the dogs and everyone who was still in the house and went to the basement. Thankfully, the rotation of the thunderstorm didn't turn into the tornado they thought it had. The computer is plugged back in on my desk. Everything is printed off and saved. But strangely the whole running for the basement thing has taken the muse out of my mood. So I'm done for the day. The dragon didn't win, but I took some serious hits. I'm going downstairs, and join Jon on the couch. I will sit and sip water, or tea, and be covered in dogs. I'm going to watch Miss Marple. I tend to watch mysteries when I'm trying to relax. When especially tense I like something cozy. Miss Marple is pretty cozy. So, I'm off.

Wednesday, February 15

Don't trust the computers

I didn't get much done yesterday. I tried, but it was just no go. I did a business call with my editor late in the afternoon. Susan was talking to me about the short story collection, and when I could do the intro pieces to the stories. But during the talk I told her about our computer problems in the last few days, and that I was having trouble getting back to the book. (It's not her book by the way, Susan is my editor for Anita.) She made a very smart observation, that I didn't trust my computer anymore. She was absolutely right. Heck, I barely trusted the tech before, but now . . . It feels like everything I write is going to vanish into the ether and never return. I write a few sentences I hit save, and wonder did it really save, or is just fibbing to me like last time. Now that I know what the back of my head is doing to the front, maybe it will help. I know when the revaluation came it was a relief like a weight had been lifted. I could breathe again. We'll see if it actually translates into pages. I think I will begin my day with long hand, and once I get enough to prime the pump, I'll switch to the computer. We'll see how it goes.

Tuesday, February 14

Happy Valentine's Day

Jon's roses just arrived. One of the things that charmed me about him was that he enjoys getting flowers. I like a man who lets me be charming. I also got him one of those red lions from Hallmark that purrs and vibrates. It was too cute. There were other things, as well. We have the kiddo tonight so some of the planned events will have to be rain checked, or children checked as the case maybe. All you parents out there know what I mean. I'm off to the new office to try and write out this scene long hand. It's the scene that was interrupted by the great computer disaster. Not surprisingly I'm having some trouble getting back into the swing of things. It's also a fight scene instead of a love making scene. Not very Valentine in spirit. Happy Cupid's Day, I'm off to try and keep Merry and the gang alive. Dangerous chapter.

Saturday, February 11

Thank you from me, to DriveSavers®

It wasn't a virus. It was a physical failure of the computer hard drive.(Jon here - The Diagnoses was one of Physical dammage to the drive. The Read / Write arm failed and began to dig into the disk platters.) Bad, very bad. Without DriveSavers® we would have lost the hard drive and the data on it. The data that had me panicking was the first half (yes, completed first half) of the fifth book of the Merry Gentry series, and more than a hundred pages of the next Anita Blake novel. As I wrote earlier all our back ups had failed. My main computer was so riddled with data miners and spy bots that it may be the reason why neither book saved to my personal hard drive. We'll never know for sure. Jon, Darla, and Jack (her husband and hardware guru) updated the protection software on both my computers. My fault for refusing the updates because it would impede my progress on whatever book I was on. If you don't listen to your tech people then you only have yourself to blame. All the computers have the latest and greatest protection upgrades now.

If DriveSavers® had not come to our rescue I would have lost almost four hundred pages. All our back ups failed at once for my books. Other things managed to get on portable back up but for whatever reason the books did not. So thank you DriveSavers®, you saved my books, my deadline, and me from a nervous break down.

Friday, February 10

Thank you DriveSavers®

A package arrived today with the DVD restores of the crashed HD from the server. The data was recovered and is all in good shape. The hard drive had a physical failure and there was actual, physical dammage to the disk platters. The fact that they were able to recover the data at all pleases me.

The long and short of it, the files have been recovered, work will be progressing once again.

Wednesday, February 8

Well, we got hit. Hit by a virus, or just the computer gods in general disliked us. The hard drive with the mission critical files on it is unusable. The data on it trapped. We can't get at it. Yes, that includes the current book. The book was supposed to be downloading to the hard drive of my computer, but it didn't do it. The book was downloaded to the server but the server is no more. The hard drive with the back up is not accessible. The thumb drive that is supposed to have my back up failed. It's not there, not in a usable form. This is the first book, ever, that I didn't make a hard copy of it as I went along, so I also don't have a complete hard copy of it. I have pieces of it, but not all of it. To say that I was distraught doesn't cover it.

Jon has sent the drive off to a data recovery service. We should know by Friday how bad, or good, the news is. For so much to go wrong I'm thinking enemy action, not just it all broke at once. But then I'm paranoid around tech. But wait, I'm not paranoid, I'm right. Untrustworthy gadgets. When we've worked through this crisis I will be in charge of our back up procedures, and redunancy protocols. And none of the techies here at work will call me paranoid ever again, because the great bad thing did happen. Once upon a time we did two thumb drive back ups daily of the current work. I did a complete hard copy as I went along. We will make sure the book downloads to my main hard drive, and we will also take the thumb drive and physically walk the book to my portable computer and put it on that computer's hard drive, as well. I used to do all this for the last five, almost six years. But Jon and Darla were right, everything worked. I could relax a little. Yeah, right.

What lesson have I taken away from all this? First, the difference between paranoia and prophetic gloom is a slim one. Second, the most paranoid person should be in charge of emergency protocol because we think of the absolute worst case and make sure everyone else is prepared for it. I raise the flag for all us technophobes who work with tech, all us pessimist who knew it would happen, we're not always right, but when we are, damn it's a mess.

Saturday, February 4

Beautiful and sad

I've tried to write several blogs over the last few days and found them all wanting. I'm putting this up not because I think it's that great, but because most of the readers of the blog say they like something on a regular basis. Everyday would be best. But these little pieces of writing seem to take a lot out of me sometimes. I haven't written today because it's a grown up weekend. Trinity is at her father's. We slept late, much to the dogs consternation, and had a wonderfully languorous morning. So why, with the morning starting so well am I vaguely depressed? I am simply not good at taking time off at home. I feel better if I work. But if I work too much with no break then I feel bad, too. It is the on-going balancing act between my muse, my workaholoic self, and my loves. I don't just mean my husband, love and sex, I mean everything that brings joy to my life. The dogs need their weekend trip for socilazation, and I enjoy it, most of the time. Pip and Jimmy have had two semi-serious dog fights this week. If this keeps up I think we're going to take Pip to the vet and see if anything is hurting on him, some physical cause for this renewed dominance struggle. We'd been free of it for months. There I go again, taking a fun outing with the dogs and making it dire. Taking fun and making it serious. I do have a tendency to do that. My grandmother's influence, I think. That woman could put a bad light on even the happiest news. She was one of the most profoundly negative people I have ever met. It made her own life miserable, and stole much of the joy she might have had in the people and things around her. I strive to not do that to myself and those around me. As one fan said at an event, I was the most cheerful pessimist she'd ever met. That's pretty accurate. When you finally realize that something in the way you were raised is destructive to you, and you try to fix it through therapy and just acting, as if. Acting as if you are a more positive person than you truly are, well, it works. My daughter is one of the most positive people I know. A delightful mix of happiness and cynicism. The cynicism must be genetic. Though, she, like I was as a child would rather believe the best than the worst of those around her. Life taught me to expect the worst, and if it doesn't happen, great, but at least you're prepared. I say all that, to say this; Trinity is very positive and upbeat, the total opposite of my attitude. She is a little testament that I decided when she was under two to act, as if. As if I wasn't negative, as if I was happier than I was, as if I didn't expect everyone I met to hurt me eventually. I acted as if, in thought, word and deed. I remade my interactions with my child, so that she grew up with a mother that loved herself, loved her, and loved their friends, etc . . . It worked. I see her running through life so bright and shiny and I wonder, would that have been me at her age if life had been less cruel? Maybe, maybe not. We'll never know.

I remember myself as a solemn child, painfully shy. At the viewing for my Aunt Beverly, who passed away very recently, friends that hadn't seen me for decades, and never as an adult, talked to me. They recognized me because of how much I looked like my mother. My mother who died young and tragically. Strangers came up and told me how vivacious she was, how full of life and joy, and how she never met a stranger. They were talking about my mother, but she was a stranger to me. I was six when she died. I do not remember her, not in that way. Some of them met my daughter when she wasn't running off and entertaining her younger cousin, helping distract the eight-year-old from the grief that will catch up soon. Her beloved grandmother snatched away, so suddenly. Trinity ran up, hugged me, and anyone vaguely related to her. Then she'd be off, and these women, these long time friends of Aunt Bev, who had lost their very dear friend, would say, your daughter is just like you at that age. So full of life, never met a stranger, so talkative, so social. They were talking about a stranger. I do not remember that child. That was me before my mother died, and that child died with her. Her death left me quieter, more serious, more cautious, and most of all with a profound sense that the world was not safe. That anything horrible could and did happen. Some of my relatives joined in, echoing this idea that I was like my daughter, social, out-going. I don't remember it that way. The women who recognized me from my, apparently, profound likeness to my dead mother, told me how beautiful she was, and that I was beautiful like my mother. What do you say to that? I've never thought I looked that much like my mother, I mean, yes, we look alike, but not that much. But here are strangers, that saw me last at five or six, but they knew my mother, and from that resemblance they picked me out.

I grew up with my Grandmother calling me my mother's name almost as often as my own. The last time I saw her alive she called me, Susie more than my own name. My Aunt Bonita tried to stop her, but I told her, it was okay, I was used to it. I was always the ghost at the banquet for my grandmother. I was a living, breathing reminder of what she'd lost in my mother. But my Aunt Bev's funeral was the first time I realized that there might have been more than one reason for my grandmother to try to keep shoving me into my mother's shape. Do I look that much like my mother? She was the beautiful one, everyone agreed. But I was never told I was beautiful. I wasn't the pretty one, she was. I bought the family mythology like most children do. One sister is the pretty one, another is the sensible one, another is the black sheep, and I was the smart one. Since I didn't believe I was pretty I better be smart, and work hard. I have no words to express how hard it was to have these grief-stricken, well-meaning, women tell me how much I looked like my mother, and how beautiful she was, and I was beautiful like her. Why would that bother me? I don't know, not exactly. I told them, I am over a decade older than my mother was when she died. They were surprised. I suppose that was a compliment to me and how young I look, but that's not how I took it. I don't know how I took it. I'm still processing a lot of what happened, and is still happening. All I know is the childhood that even my family remembers, I have almost no memory of. I remember feeling utterly safe, and I know it was when I was very small, but it is a brief memory, and most of my life has been spent in fear. Fear of the great bad thing happening again. Those of us who have a 'train wreck' early seldom completely believe in the safety of the universe again. We know better. Strangers, relatives tell me I was a happy child. They tell me my mother was beautiful and vivacious. Like me. I do not believe either of these things about myself. I don't even remember my mother as they do. I remember her as beautiful, yes, but sad, social and friendly, but I saw her when her public face wasn't on, and I remember her as sad. Beautiful and sad.